Estelle M. Hurll

Writers:—

• Ben Jonson, 1573 or 1574-1637.
• Robert Herrick, 1591-1674.
• George Herbert, 1593-1632.
• Edmund Waller, 1605 or 1606-1687.
• Sir William Killigrew, 1605-1693.
• Sir John Suckling, 1608 or 1609-1641 or 1642.
• John Milton, 1608-1674.
• Thomas Killigrew, 1611-1682.
• John Evelyn, 1620-1706 (author of "Memoirs").

Architect:—

• Inigo Jones, 1572-1653.

Royalists:—

In the distant past which we call the age of fable lived the cunning craftsman Dædalus of Athens. One of his most curious inventions was a labyrinth which he constructed for Minos, the king of Crete. Having at length displeased this king he resolved to flee from the island with his son Icarus. It was impossible to escape by way of the sea without detection, but Dædalus was not discouraged.

(By Sir Peter Lely, after Van Dyck)

Charles I of England was the second king of the Stuart dynasty, whose despotic tendencies made the seventeenth century a memorable period in history. He ascended the throne at the age of twenty-five, and began at once to assert his belief in the divine right of kings. Indignant at the restraints which Parliament set upon his power, he dissolved this body and ruled alone.

In the Vatican palace there is one chamber in a series of chambers decorated with Raphael's paintings which is called in Italian Stanza d'Eliodoro, or the Heliodorus Room. The name is taken from the first of the paintings which cover the walls of the room.

The story which Raphael told in this picture is taken from an incident in the history of Jerusalem, which is related in one of the books of the Apocrypha and in Josephus's History.

1483. Raphael born at Urbino.

1499. Raphael enters Perugino's studio at Perugia.

1504. "The Marriage of the Virgin."

1504. Raphael's first visit to Florence.

1505. Raphael in Perugia:—

The Madonna of St. Anthony.

The fresco of San Severo.

1506. Visit at Urbino:—

Raphael's portrait by himself.

1504-1508. The Florentine Period:—

Granduca Madonna.

Tempi Madonna.

Madonna in the Meadow.

On the wall below the design of Jacob's Dream, in the ceiling of this same Heliodorus Room, is the Liberation of Peter, painted above and on each side of a window. The story is taken from the Acts of the Apostles, Herod the king, as the narrative says, "stretched forth his hands to vex certain of the church. And he killed James the brother of John with the sword. And because he saw it pleased the Jews, he proceeded further to take Peter also." The story of the imprisonment and liberation of Peter now follows:—

There are a great many pictures by the old masters representing what is known as the Holy Family. This is a group consisting of the mother and child, with one or more additional figures. The third figure is sometimes the infant John the Baptist, or it may be Joseph the husband of Mary; a fourth figure is likely to be St. Elizabeth, the mother of John the Baptist, and sometimes all five of these are shown in a group.

Rulers:—

Lorenzo de' Medici (reigned 1469-1492) and Pietro de' Medici (1492-1494), dukes of Florence.

Giovanni Galeazzo Sforza (reigned 1476-1494), Lodovico Maria Sforza (1494-1500), and Massimiliano Sforza (1512-1515), dukes of Milan.

Francesco Maria della Rovere, duke of Urbino (born 1490; died 1535).

Ferdinand I. (reigned 1458-1494), Ferdinand II. (reigned 1495-1496), and Ferdinand III., kings of Naples, the last being he who was also king of Spain as Ferdinand V.

This is the legend of St. Catherine.

She was the daughter of King Costis and his wife Sabinella, who was herself the daughter of the king of Egypt. When she came into the world, a glory of light was seen to play around her head, and when she was yet a little child, she gave such signs of wisdom that she was a wonder to all about the court of Egypt. When she was no more than fourteen years old, she was a marvel of learning. She could have answered all the hard questions the Queen of Sheba asked Solomon, and she knew her Plato by heart.