Architecture

The eminent American sculptor Greenough, who has recently (1853) departed this life, wrote several years ago a very interesting account of a wonderful picture at Florence, from which the following is extracted:

Houbraken relates several instances of his remarkable facility of hand. He frequently painted a large landscape and inserted all the figures in a single day—feats so much admired in Salvator Rosa, and Gaspar Ponssin. On one occasion he commenced and finished three portraits, on canvass, of three-quarters size, with heads as large as life, from sun-rise to sun-set, on a summer's day. Lanzi warns all artists, especially the youthful aspirant, not to imitate such expedition, as they value their reputation.

Federigo Zuccaro, the brother of Taddeo, was employed by Pope Gregory XIII. in the Pauline chapel. While proceeding with his work, however, he fell out with some of the Pope's officers; and conceiving himself treated with indignity, he painted an allegorical picture of Calumny, introducing the portraits of all those individuals who had offended him, decorated with asses' ears. This he caused to be exhibited publicly over the gate of St. Luke's church, on the festival day of that Saint.

When Napoleon had decided that a stupendous fountain should occupy the centre of the area where the celebrated state prison of the Bastille stood, the several artists, employed by the government, were ordered to prepare designs for the undertaking, and numerous drawings were in consequence sent in for the emperor's inspection.

"La Festra di Cattreda, or commemoration of the placing of the chair of St. Peter, on the 18th of January, is one of the most striking ceremonies, at Rome, which follow Christmas and precede the holy week. At the extremity of the great nave of St. Peter's, behind the high altar, and mounted upon a tribune designed or ornamented by Michael Angelo, stands a sort of throne, composed of precious materials, and supported by four gigantic figures. A glory of seraphim, with groups of angels, shed a brilliant light upon its splendors.

Was the son of the preceding, and born at Amsterdam in 1644. Possessing less varied talent than his father; he was unrivaled in painting all sorts of animals, huntings, dead games, birds, flowers, and fruit. He was appointed Court painter to the Elector Palatine, with a liberal pension, and decorated his palace at Bernsberg with many of his choicest works. He painted in one gallery a series of pictures representing the Hunting of the Stag; and in another the Chase of the Wild Boar, which gained him the greatest applause. There are many of his best works in the Dusseldorf Gallery.

Federigo Zuccaro was invited to Madrid by Philip II. to execute some frescos in the lower cloister of the Escurial, which, failing to give satisfaction to his royal patron, were subsequently effaced, and their place supplied by Pellegrino Tibaldi; the king nevertheless munificently rewarded him.

There were many colossal statues of Memnon in Egypt, but the most remarkable were the two in the Memnonium or palace of Memnon, at Thebes. The largest is of rose-colored granite, and stood in the centre of the principal court; its height was sixty-four feet, and its remains are scattered forty feet around it.

One of Murillo's pictures, in the possession of a society of friars in Flanders, was bought by an Englishman for a considerable sum, and the purchaser affixed his signature and seal to the back of the canvas, at the desire of the venders. In due time it followed him to England, and became the pride of his collection.

The sides, bottom, and top of these gigantic tubes are formed of oblong wrought iron plates, varying in length, width, and thickness, according to circumstances, but of amazing size and weight. They are so arranged as to obtain the greatest possible strength, the whole being riveted together in the strongest manner. In addition to the 1600 tons of wrought iron in each of the four large pieces, an additional 200 tons was used to form lifting frames, and cast iron beams for the purpose of attaching the tube to those huge chains by which they were elevated.