Home

Books

Pages

Authors

Subjects

Home » Wood-Block Printing » APPENDIX

Plate XII.—Fifth printing. Bright Orange.

F. Morley Fletcher
Printing

‹ Plate XI.—Third printing. Deep Blue. Strong at the bottom, paler at the top. up (The fourth printing, not shown, is a similar small block, printing a faint tone over the road in the foreground.) ›

Popular Books
Popular Pages

The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Correggio
Jean François Millet
Raphael
Rembrandt
American Handbook of the Daguerrotype
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck

THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.

Today's Books
Today's Pages

Rembrandt and His Works
The Textile Art in Its Relation to the Development of Form and Ornament
The Practice and Science of Drawing
Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
The Best Portraits in Engraving
The Madonna in Art
Jean François Millet
Lectures on Architecture and Painting
The Art of the Moving Picture
Raphael

ITALIAN PAINTING. EARLY CHRISTIAN AND MEDIÆVAL PERIOD. 200-1250.
GERMAN PAINTING.
THE VATICAN CODEX
ARTISTIC EDUCATION IN THE CLOISTER
PROCESSES FOR TIN-PLATING
THE HAY WAIN
PARNASSUS
REPRESENTATION OF FORMS
JUDITH
LECTURE VI. LIGHT

Home | Books | Pages | Authors | Subjects | Contact | Sitemap • Follow other readers and subscribe to our RSS feed.