Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
- The Practice and Science of Drawing
- Rembrandt and His Works
- The Best Portraits in Engraving
- Jean François Millet
- Other Anecdotes of Painters, Engravers, Sculptors and Architects
- Lectures on Art
- Roman Mosaics - Studies in Rome and its Neighbourhood
- Raphael
- The Art of the Moving Picture
- Lectures on Architecture and Painting
- LECTURE VI. LIGHT
- PLATE V.THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
- FRENCH PAINTING. SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING.
- FLEMISH PAINTING.
- THE MAN WITH THE HOE
- CAMBIASO'S WORKS IN SPAIN.
- RACHEL RUYSCH.
- VASE-PAINTING.
- THE DRESDEN GALLERY.
- LECTURE II. THE ACCUMULATION AND DISTRIBUTION OF ART