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APPENDIX
Plate XXI.—Reproduction of a colour print by Hiroshigé.
F. Morley Fletcher
Printing
‹ Plate XX.—Reproduction of a portion (actual size) of the print on the preceding page, showing treatment of tree forms and distance.
up
Plate XXII.—Reproduction of a portion (actual size) of the print on the preceding page, showing treatment of tree and blossom. ›
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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
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American Handbook of the Daguerrotype
Rembrandt
Great Artists: Raphael, Rubens, Murillo, Dürer
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THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
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Michelangelo
Masters of Water-Colour Painting
American Handbook of the Daguerrotype
The History and Practice of the Art of Photography
Wood-Block Printing
PONTORMO (Jacopo Carucci).
THE AVENUE OF MIDDELHARNAIS
CLAUDE MONET: HIS WORK, HIS INFLUENCE
NATURALISM IN ART
THE SECONDARY PAINTERS OF IMPRESSIONISM—CAMILLE PISSARRO, ALFRED SISLEY, PAUL CÉZANNE, BERTHE MORISOT, MISS MARY CASSATT, EVA GONZALÈS, GUSTAVE CAILLEBOTTE, BAZILLE, ALBERT LEBOURG, EUGÈNE BOUDIN
POLLAIUOLO AND VERROCCHIO
THE MODERN ILLUSTRATORS CONNECTED WITH IMPRESSIONISM: RAFFAËLLI, TOULOUSE-LAUTREC, FORAIN, CHÉRET, ETC.
MONACO see LORENZO.
VIII
EDOUARD MANET: HIS WORK, HIS INFLUENCE