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Title
Two Lectures on the Political Economy of Art
The Florentine Painters of the Renaissance
The French Impressionists (1860-1900)
The Venetian Painters of the Renaissance
The Textile Art in Its Relation to the Development of Form and Ornament
The History and Practice of the Art of Photography
The Madonna in Art
The Practice and Science of Drawing
The Best Portraits in Engraving
The Art of the Moving Picture
The Works of William Hogarth
  • Popular Books
  • Popular Pages
  • The Best Portraits in Engraving
  • Masters of Water-Colour Painting
  • Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
  • Correggio
  • Jean François Millet
  • Raphael
  • Rembrandt
  • American Handbook of the Daguerrotype
  • Great Artists: Raphael, Rubens, Murillo, Dürer
  • Van Dyck
  • THE ROMAN FORUM
  • ANCIENT GREECE AND ITALY.
  • PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
  • PAINTING IN ENGLAND.
  • PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
  • THE MARBLES OF ANCIENT ROME
  • ST. ONOFRIO AND TASSO
  • THE APPIAN WAY
  • THE EGYPTIAN OBELISKS
  • INDEX OF PLACES.
  • Today's Books
  • Today's Pages
  • Rembrandt and His Works
  • The Practice and Science of Drawing
  • The Textile Art in Its Relation to the Development of Form and Ornament
  • The Madonna in Art
  • The Best Portraits in Engraving
  • The Art of the Moving Picture
  • Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
  • Raphael
  • Other Anecdotes of Painters, Engravers, Sculptors and Architects
  • Jean François Millet
  • LECTURE VI. LIGHT
  • PLATE V.THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
  • PAINTING IN FRANCE.
  • FLEMISH PAINTING.
  • THE MAN WITH THE HOE
  • FRENCH PAINTING. SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING.
  • MASS DRAWING
  • THE NOTTE OF CORREGGIO.
  • LECTURE IV. THE RELATION OF ART TO USE
  • THE VISION OF ST. ANTHONY
 
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