Home
Books
Pages
Authors
Subjects
Home
»
Wood-Block Printing
»
APPENDIX
Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
F. Morley Fletcher
Printing
‹ Plate XVII.—Reproduction of a portion of the print shown on the preceding page, actual size, showing the treatment of the foliage and the expressive drawing of the tree trunk and stems.
up
Plate XIX.—Reproduction of a colour print by Hiroshigé. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Correggio
Jean François Millet
Raphael
Rembrandt
American Handbook of the Daguerrotype
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
Rembrandt and His Works
The Practice and Science of Drawing
Other Anecdotes of Painters, Engravers, Sculptors and Architects
Roman Mosaics - Studies in Rome and its Neighbourhood
Jean François Millet
The Best Portraits in Engraving
French Art
Raphael
Joshua Reynolds
Chinese Painters
VASE-PAINTING.
THE DRESDEN GALLERY.
CAMBIASO'S WORKS IN SPAIN.
RACHEL RUYSCH.
THE MAN WITH THE HOE
MASS DRAWING
Fig. 3.—Drawing of the knife.
LECTURE II. THE ACCUMULATION AND DISTRIBUTION OF ART
FRENCH PAINTING. SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING.
PERSIAN PAINTING.
