Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
- Rembrandt and His Works
- The Practice and Science of Drawing
- The Textile Art in Its Relation to the Development of Form and Ornament
- The Madonna in Art
- The Best Portraits in Engraving
- The Art of the Moving Picture
- Raphael
- Other Anecdotes of Painters, Engravers, Sculptors and Architects
- Jean François Millet
- Correggio
- LECTURE VI. LIGHT
- PLATE V.THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
- PAINTING IN FRANCE.
- FLEMISH PAINTING.
- THE MAN WITH THE HOE
- FRENCH PAINTING. SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING.
- MASS DRAWING
- THE NOTTE OF CORREGGIO.
- LECTURE IV. THE RELATION OF ART TO USE
- CAMBIASO'S WORKS IN SPAIN.