Home
Books
Pages
Authors
Subjects
Home
»
Wood-Block Printing
»
APPENDIX
Plate XIX.—Reproduction of a colour print by Hiroshigé.
F. Morley Fletcher
Printing
‹ Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
up
Plate XX.—Reproduction of a portion (actual size) of the print on the preceding page, showing treatment of tree forms and distance. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Correggio
Jean François Millet
Raphael
Rembrandt
American Handbook of the Daguerrotype
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
The Textile Art in Its Relation to the Development of Form and Ornament
Rembrandt and His Works
The Practice and Science of Drawing
The Best Portraits in Engraving
Lectures on Architecture and Painting
The Madonna in Art
Joshua Reynolds
Rembrandt
Raphael
LECTURE VI. LIGHT
REPRESENTATION OF FORMS
PLATE V.THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
THE VATICAN CODEX
ITALIAN PAINTING. EARLY CHRISTIAN AND MEDIÆVAL PERIOD. 200-1250.
PAINTING IN FRANCE.
VELLUM AND OTHER MATERIALS
GERMAN PAINTING.
THE VISION OF ST. ANTHONY
PARNASSUS